MEMORY LOGS
These are NOT tall tales.
My First Time (In Drag, You Pigs)
My First Time (In Drag, You Pigs)
Time and Place: June 2008, Weird Bathroom in New Jersey
I’m not sure what possessed me to paint my face like a lady for the first time, but I do know why I had the tools. I got my first makeup kit at age 10, and immediately used the nose wax and scar wax to create every kind of gruesome wound imaginable - glamour was not the assignment.
Then the circus rolled in and I added a whisper of beauty to my beats, but still with the pure intent of building characters, not serving face. I was working with weird emollient creams and bruise wheels and pigment pencils - a far cry from the maquillage required by real beauties.
I will give myself credit: for a first-time face, I was wearing top and bottom lashes. I knew. And mind you, this was before the invention of the glue-stick eyebrow method, so yes, that is my real eyebrow buried somewhere inside that black crease, thank you very much.
And honestly, the whole moment feels like what my arch enemy Judith Butler means by gender performativity - that identity isn’t an inner truth but a series of stylized acts, which in my case began with crooked lashes, circus greasepaint, and one very overworked eyebrow.

Magic Monday Made Me
Time and Place: Every Monday, East Village → Lower East Side, 2009–2012
2nd & 2nd is the kind of apartment you only get in your twenties: huge, janky, glamorous in a feral way - the kind of place that makes absolutely no sense until you step inside and realize it is the center of the universe. Me, Greko, and a handful of other nut-jobs inhabit the 5th floor walk-up on the corner of 2nd Street and 2nd Ave. Every Friday is “game night,” which has very little to do with games and everything to do with drag, gossip, making out, and doing bits while pretending we are not poor college students.
This is also when an insane band of glamorous aliens adopts us. None of this is planned - it all happens by sheer, drunken coincidence. Breedlove, Darian Darling, MaryAnne Piccolo, Justin Tranter, Lady Starlight… somehow we’ve all been sucked into their wild gravitational pull of dive bars, hotel suites, and questionable decisions. We met them at The Hudson Hotel after Breedlove called me a “prop queen” because I was lighting my cigarettes with a gigantic novelty lighter. I wasn’t offended; I was seen.
From there, people just… appeared. Breedlove would come straight from painting Elphaba green at Wicked, casually bringing a Broadway star into our living room like it was nothing. Darian Darling’s extensions would be sticking out of a comforter like a horror movie about glamour. Justin Tranter is playing shows with Semi Precious Weapons to huge crowds - they just whisked us to Long Island City for dinner, and I came home with a purse full of municipal sand. Don’t ask, but it sealed the deal. Everyone is teaching me something - fashion, performance, confidence, world-building - not through lectures, but through proximity, osmosis, and the daily absurdity of queer living.
2nd & 2nd isn’t just an apartment; it is the dressing room for the life I am about to stumble into.
And then comes Magic Monday.
Breedlove hosts this performance art party at St. Jerome’s - a pissy little dive bar - that doesn’t start until midnight. So, of course, we spend all evening getting dressed (Breedlove's very strict dress code is Dress to Depress) and then we parade from the East Village into the LES like a traveling circus of sequins and fake IDs. If we’re lucky (and already drunk), we pile into a yellow cab like we’re being smuggled across state lines in full glam. We are a literal traveling party - you feel it snap into place the moment we walk in.
Every couple weeks they all get tight and nervous because their “friend” is back in town. Their fucking friend Lady Gaga. She used to open for them. It’s unhinged. One night we’re down at the gross dive bar with sticky floors, and the next we’re in some deranged uptown hotel with velvet walls and a bottle bigger than my torso. But wherever we go, we go together. It reminds me of what Miss Thing Ann Cvetkovich argues - that queer community becomes an emotional archive, a living record of the nights, bodies, and friendships that teach you how to survive.
Magic Monday wasn’t just a show. It was a way of becoming. A place where I felt, for the first time, in the right orbit - surrounded by people inventing themselves in real time.

Greko, Breedlove and Jackie Soleil

A normal Magic Monday LQQK.


Greko, Breedlove and Jackie Soleil
Nothing Matters (Until She Says It Does)
Time and Place: May 4th 2010, The Royalton Hotel, NYC
Announcement!
Picture this: we were loitering at the Royalton Hotel like decorative trash, dressed in outfits that screamed Im fucking nuts but whispered I’m the moment. The lobby bar and DJ booth hated to see us coming. Just last week I almost got kicked out because some normie said my balls were hanging out ( i was wearing 5 pairs of pantyhose but I wasn’t going to spill those beans - any press is good press and people were definitely talking) We loved that. Then - through the fog of bad decisions and free cocktails—she appears: Lady Gaga, in that long, hideous grey wig that Breedlove dared her to wear. It was intimate in the way only hotel-lobby queerness can be. Just us. Her. The faint smell of someone else’s money. And me, pretending I dont have class at 9am-glamour is the only education that matters anyway.
So what do I do? I pour a glass of Gaga’s own champagne - yes, her champagne, because boundaries are for straight people—and I toast to my girls: “Nothing matters!”
Time freezes.
Gaga’s head turns. Our eyes lock like two drag queens fighting for the same mirror.
And she says - slow, annoyed, holy:
“Some things matter.”
I swear the building shifted on its foundation.
Solar eclipse. Chakra realignment. A slap from God in a synthetic wig.
Ever since that night, whenever I spiral, whenever the wig glue burns, whenever I debate quitting drag to become a dental assistant, I hear her voice:
Some. Things. Matter.
A blessing. A threat. A mantra.
And to be real?
She was right.

The Lash That Launched a Thousand Looks
Time and Place: The line between In/Out of Drag, In the Makeup Mirror, 2008-Present
Girl, let me tell you a secret. I’ve been wearing the same style of bottom lashes for seventeen years. Seventeen. Years. Bitch, can you even? If only I could commit to a man like that. Everyone needs a thing - and these very unique lashes are mine.
So imagine my horror when they were discontinued. Off the market. Gone. As if beauty were optional.
Did I troll eBay, Poshmark, and the dark web like a feral archivist?
Yes.
Do I now own an ungodly amount (twenty-one pairs) of the exact lash?
Correct.
Do I do drag twice a year, and what the hell do I need all these lashes for?
Mind your fucking business.
Because what happens when I need to flee my life and reinvent myself as a glamorous showgirl in Buenos Aires? Exactly. I’ll need my bottom lashes.
Queer Theory blah blah, “material culture” whatever, “identity construction through repeated gestures” - sure. I just want to talk about my bottom lashes, alright?
The real cunty twist is I 3D-scanned the discontinued lash and now have a resin-printed prototype. BITCH - lashes for eternity, I have become GOD.

Field Notes from Magic Monday
Time and PLace: August 10 2010, The first booth in St Jeromes.
Remember when I said stealing Gaga's champagne was the pinnacle of my life? Well, we just topped it. I’m wearing my best drum-major drag outfit to the basically empty dive bar St. Jerome’s on Rivington and Delancey at 11:45 pm on a Monday - as one does - and we all hustle inside to get our first round of Bud Light and a shot of Jameson (The Magic Monday Special).
Before I can make it ten steps into the gloom, I hear a shriek from my left. I turn and see the strangest tableaux of my life: meat-faced, over-plumped club kid Astro Earle sitting at the first booth, leaping to her feet, and bowing - BOWING - is Lady fucking Gaga, losing her mind because of what I dared to wear out of the house. SHE’S BOWING. I don’t even think I’m being that brave, but apparently my feather shako activated something feral in her.
I break out into the meat sweats and try to play it cool. Gaga disappears into the night, but I know this is something I’ll carry with me forever.
Moments like this - the ridiculous, glamorous, too-much moments - are what Jack Halberstam calls “low theory”: tiny acts of fabulous failure that blow a hole in what’s supposed to count as real, serious life. It’s the idea that the stupid, excessive, chaotic parts of queer life are actually what teach us how to live.
And if Gaga is bowing to me in a dive bar, then honey - failure has never looked more divine.




“On Becoming Cinema" (Against My Will)
Time and Place. 2012, Stunt Parade Studios
Guys.
I’m a movie star.
Some fags from New Jersey (red flag) approached me and asked if I wanted to be in their “experimental” film Bhoner (double red flag). They offered me a six-pack and an Edible Arrangement, so obviously I said yes. I’m not above fruit on sticks. I’m not above anything.
Let’s be clear: they are terrible directors. But the film? The film is actually kind of good. Or maybe I’m good and the rest of it simply benefits from my reflected light. Happens all the time.
Anyway - I look good as shit.
Divine. Cinematic. You can watch it here, I think:
And here’s where we pretend I’m an intellectual:
THEORY THEORY THEORY
Apparently, my presence in this mess constitutes what some scholars call “critical fabulation,” meaning I am simultaneously inventing myself on camera and repairing the archive that refuses to record girls like us. Every time a drag queen is filmed, a new history becomes possible - messy, erotic, low-budget, but still history.
Also, according to Muñoz, queer ephemera counts as evidence, so congratulations to me: my shoddy one-day film shoot is now an official contribution to the discipline.
Cinema was dead until I revived it

Jackie 2.0: The Gloves Are Off (And On. And Custom.)
Time and Place: Every 4 mondays for like 2 fucking years, Arlenes Grocery, NYC
Oooo bitch, it’s getting SERIOUS. I’m dropping coin on drag like it’s tuition.
Returning to the Magic Monday format, Breedlove has started hosting Tragic Tuesday at Arlenes Grocery — now it’s a monthly party which makes it much easier to get hammered, as I’m a lady of a certain age and the weekly blackouts were getting to be a bit much. AND this gives me WAY more time to plan LQQKS.
Also — I have discovered the joy of Gloves. Katie Sue at Wing Weft Gloves has opened my eyes to a completely excessive and obsessive new passion. Do I NEED a custom made pair of gloves for every outfit I wear? No fucking shit I do. Anyway, I have 8 pairs of gloves made in 8 months sooooo your girl has to chill.
This whole Jackie 2.0 era feels like what my good Judy José Esteban Muñoz — noted theorist, icon, and full-time diva of queer futurity — calls queerness-as-becoming: identity as something you don’t inherit but restyle, revise, and exaggerate into existence.

Wearing a custom corset by the late designer Abraham Levy.

Black Tie Jackie.

Vroom Vroom Bitch.

Wearing a custom corset by the late designer Abraham Levy.
Day 87: I Am the Carpet Glitter
Time and Place: Deep in the pandemic, stuck in my house, 2020
Well, we’ve been stuck inside for months. I’ve gone bored, gone crazy, gone enlightened, and come back around to bored again. Sometimes I paint my face just to have something to do.
Breedlove has launched a Quarantine Review, and suddenly I’m making weekly, high-production performance videos. I shave my eyebrows. I sew all day. I hot-glue rhinestones to objects that do not need rhinestones. It’s intense to be Jackie almost full-time.
And the wild part? The more I do as Jackie, the more she spreads. She’s creeping deeper into my life, my routines, my moods - like glitter in a carpet: once she’s there, she’s there forever.
It feels a bit like what Sara Ahmed says about orientation - how the things we reach for every day end up shaping the direction of our lives.
And in quarantine, all I reach for is Jackie - so of course my life starts leaning her way.





An Academic Diva
So Im getting my Masters Degree and Im taking a course called Queer Theory and Performance,
and so far nkl;op
Ś̴̡̝̤͉̗͂̃̾͗̔o̵̡̤̰̮̍̌͛́ ̵̢̨̧̬̲͔͎͙̲̺͍̔̆̐̎̈́̅̕ͅĮ̴̧̱̹͒̌͑̀͋̈́̒̍͋͂̇͂̚̕m̸̛̯̘̤̲̫̙͔͈͇͍̟͌͗̇̀̑̾̓̃̊̽̀̈͜͝ͅ ̷͍̘̪̞̻̗̝̜̥̾̈́̐͂̈́́g̸̢̨̡̛̻̖̙̀̽̀̿͛̀̒͋̄̈ͅę̷̢̯̩̲̬͚̹̼̤͕͕̞͓̙̒̔̄̔́t̷̢̥͔̹̟͉̠͐͊̀̿̈́͐̚͠͝t̷̨̛̲̬̃̐́͒͑̕i̸͈̱̖͋̅n̵̢͍̲̪͖̼̳̘̜̝̱̭̟̱̿̍͌̀͐̒̐̽͆̕͝g̶̛̗͉̣̪̝͍͗̅̈̍͗͛͂̈́̓͌̿̈͊̌ ̴̙͖̦̪̺̥̾̄̑͛͆̆̕m̷̜͖̤͔͐̎̈́̔̔̉̏̿͗̄̈́͒̚̕͠ÿ̵͈́͑͆̓̎͊͗̓́̂̒̚͘̚͝ ̸̦̹̹̅̋̽̿̀̐̇̀̉̊̚͝͝Ṃ̴̼̹̖̦͙̟̳͙͉̱̳͙̋̽̑a̷͎̰͇͈̮̗̼̣͌̆͂̓̇̂̍̽̚͜s̸̪͗̽̐͗̆͐̐̐̍̽̐t̴͖̼̺̻̻̹̄̈́̊́é̵̛͛̉̍̆̒͒̍͜͝ͅŕ̵̡̪͍͕̘̖͔̮̖̥̲͈́́̒̾̍͜ͅs̵̼̑̈́ ̵̡̗͎̭̝̪̻̰̙̘͕̜̞̀̍͠Ḍ̸̱͖̣̲̝̈̌̀̿̔̈́ͅȩ̶̤̬̠̣̜̙̺͇̯̉͒̈́̀̾̓͝g̸̢̥̫̯͎͔̪͈̮͉̍̓͒̓̿̽̀̇́͆̀̈́͝r̷̖̯̺͍̤̮̘̥̯͇̊̈́̇͒̕ͅe̵̥͇͑̽̒͋̀̕͝e̴̞͇͓̜͗̈́̓̐̿̆̐͒͑̈̎͋̕̚͝ ̴̪͈̘̖͖͎̙̂̾͠ǎ̵̩͚̺͔̰̥͑̊͘ņ̵̭̠̙̬̞̣̒͂̀͂̏͋̔̿̈́͆͠͠d̶̹͎͓̭̊̽̅͋͌̋̈́̎̋̆̕͜͝͠ ̸̧̧̪͍͇̜̬̯͍̲̠̯̯̺͍̎̕͝I̴̫̤͂̄̌̎̍́̀̓̚͠͝͝m̵̧̧̨̦͔̻̣̩͍͕̻̀͝ ̴̨͖̯̠̣̳̗͕̆̋͂̋͐̌̚ͅt̶̢͂͗̒̏́͋̆̇̿̈̒̃͒͐̿ą̷̧͔͙͚͇̣͈͕̼̦͓͛͂̽k̸͍͎̊͊̏̃̆͗ĩ̵̭̮̗͚̭͙̫͉͎͊͌̌̽͌̆̇͝ͅņ̷͇̱͈̭͇͓̞̰̭̩̲͕̖̓́͗̔ģ̵̨͉̖͙̜͕̼̺̭̱̰̮͈̇̓͌͝ ̴̺̉̉́͐͐ą̸͔̰̼̭͙̘̞͓͒̄ͅ ̵̺̜͉͇̂̈̔̂̄̐̈́̀̉̓̿̏̓̋͝c̴̘̲̟̉͒͂̈ͅo̵͉̞͖̱̯̞͖͍̟͓͍̰̬̘̍̈́͐͐̿͌͐̀̏̌͜u̶͖̍́̏̅̌̉̏̈́̾̐͐r̷͈̮̹͔̦̫̙͂̄̓̅s̸̨̹̺̲̰̃͊̉̅e̷̲̮̟̼͇̖͐̆͊̋̔͌͗͊ ̸̦̲̝́̾͌͊͆̍̑̆̄̈̃͘̕̕ͅc̸̛̮̯͚̠̫̖̻̐͊͋̈́͐̈̚ͅă̶͚͍̠̄̅̄̕̚͝ͅl̷̛̠͈̪̞͔̞̲͕͎͉̦̊͗̒͌̾̊͊̄̓̊̕͘͜͝l̴̘̪͉̝̜̯̽͌͌̈́̈́̀̐̈́̄̈́͜͠͝͝e̵͎̖̜͌ḍ̴̹̀͐̀͒̈̓̇ ̸̧͎̼̟̣̐͠Q̸̼͙̯͉̰͐̇͛̐̄͗̽͘͠͠ų̸̦͔̟̦̩̿̃̓ȩ̷̮̙͈͚͓͈͎̦͍̓̉́̃̕̕͠͝e̷͇̲͊̏̓̄͒̈͒̉̍r̵͈͙͍̹̬̭̱̬̠̀͋̋̔̒̌͌̅̓̇ ̸̧͇̖̤͙̪͇̬̰̜̩̭̗̱̀̈́͆̓̿T̶̢͇͔͚̰̺̣̦̭͍͙͉̻͖̈h̷̢̢̢̡̢̟̘̤̩̙̪͚͉̹̟̅̇̀̔̉̎̌̀̈́͊́͗̌̃͘e̵̝͓͇̊͐̓o̶̥̫̥͇̗̭̿̑̅̅̈́̊̀̎́͗̈̀̀ͅŗ̵̪̻̗̍́̔̚͝y̶̡̧̬͍͍̩̥͓̯̠͍̺̠̹̭͌̀̾͗͑͒̿̎̊̓̓̕͘͠͝ ̴̬͖̼͉̹̝̘̳̺̠̣̮̻̓̅̿͋̔̈́̾̋̔̿̍ã̵̛̘͛̍̕n̸̨̻͍̙̯̲̲͍̙̓̿̄͋͜ḑ̵̜̺̥̫̞̳̲̺̓ ̷̰̫̆͐̒̔͋̉̃̑̌͛̅͘P̷̢̡̨̨͉͖͎̜̭͉͉̙͉͈̟̎̿͐̈̀̈́̏ë̵̟͓́͒̒̎͌̚r̷̛̬̬f̵̖̲̣̗̼̫͕̯̗̫̼͔̼͛̓̈́̍̇̐͗̀̀͛̎̅̇̔o̷͉̹̹̲̗̼͙̘͗ͅr̴̨̛̛̛̺̟̗̙̜̘̣͇̟͔͍̬̞̓̈́͋́̕m̷̡͖͍̰̗͖̰̦̖͒̿̌̊͜à̴̡̧̢̨̢̢̨̦̞̺̼̰̩͚n̸̞̻̜̻͎͑̃̽͆̆̿̌͗c̶̛̦̗̝͖̼̾̃̊̏̈́̋̌̿͘̕è̷̀̓̚ͅ,̸̹̤̘͈̥̱̑̉͒͗̉͠ ̸̡͍̦͉̰͌͌̀̈̓̃ͅ
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̷͙͙͈̼͎̦͚̋̏̐̓̿̚̚a̷̟͓̰̒̈́̅̈͗͋̽̋̽͘ͅn̵̛͍̻̐̾͂̀̐̓͋͑͗͌͠͝͝ḍ̵̺͚̮̙̠̯̟̈͐ ̶̝̞͉͖͕̲͕̦̫͕̩̝̼̈́̅͊͘͜s̸̛̟͗̇́͂͑͊͗̕͝ơ̸̬̩̙̗̫͌̈͘͜͜͜ͅ ̶̣͔͚̪̅͑̒̾̏̀̀͘͝f̴̨̗̫̣̞̯͍̦̣̗̽͊͂̎̊̈͝͝á̸̛̠̯̟͇͖̖̤̣͔̥̼̱̂̊̽̐̍̒̉̒̔͐̃̕͝ṙ̵͙̳̪͕͈̿̽̔̚ ̶̖̝͚̥̣̦̩͔̀͒̇̅̾̋̃̆͋̔͒̆̚͘͝n̵̡̪̠̯̹͕͖̺͐̅̑k̷̡̘̦̙̲̥̠̠̂̔̀͒̏͠l̶̛̺͎̄̽;̸̧̐̀͐̈́̎͑̓̅͆̈́͘͝ö̵̧̢̯͖̮̹̙̝̥́̍̐̊̂̉́͋͌̌̕͠p̷̢͔͔͍̩͔̠͈͙̺̺͗̍͜͝
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Time and Place: Montclair State University, 2025
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